Read the following article regarding digital rights and a struggle for PRO’s.
Is There Real Legal Ammunition in Irving Azoffs Gun? (Links to an external site.)
This is an old article from 2014, but it encompasses a lot of the struggle and successes of PRO’s today. When posting, express your thoughts about the formation of a new PRO. Why are such huge artists signing on to this new venture? Do you think that Global Music Rights will be more effective than the other US PRO’s in collecting digital sync fees? Why?